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Oil Paintings
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Bernardo Strozzi 1581-1644
Italian
Bernardo Strozzi Galleries
Strozzi was born in Genoa. He was probably not related to the other Strozzi family.
In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).
Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).
After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione. |
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Bernardo Strozzi Lute Player 1635
Art History Museum, Vienna
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Bernardo Strozzi An Allegory of Fame National Gallery, London
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Bernardo Strozzi The Holy Family with John the Baptist (mk05) Canvas,32 1/4 x 41''(82 x 104 cm)Allocated to the Louvre in 1950
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Bernardo Strozzi Vanitas Allegory (mk08) c.1635
Oil on canvas
132x108cm
Bologna,Private collection
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Bernardo Strozzi Allegory of the Arts mk65
ca.1640
Oil on canvas
60x55"
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Bernardo Strozzi The Healing of Tobit mk65
ca.1635
Oil on canvas
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Bernardo Strozzi Detail of The Healing of Tobit mk65
Detail
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Bernardo Strozzi The Portrait of the Wedding Guest mk67
Oil on canvas
50x74 11/16in
Uffizi
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Bernardo Strozzi Bernardo Strozzi, Joueuse de viole de gamb mk79
1635
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Bernardo Strozzi Woman at the mirror mk79
About 1635-1640
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Bernardo Strozzi Vanitas Allegory mk86
c.1635
Oil on canvas
132x108cm
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Bernardo Strozzi The Cook mk156
c.1620
Oil on canvas
177x241cm
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Bernardo Strozzi A Personification of Fame mk170
1635-1636
Oil on canvas
106.7x151.7cm
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Bernardo Strozzi Prophet Elijah and the Widow of Sarepta 1630s
Oil on canvas,
106 x 138 cm
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Bernardo Strozzi Gamba Player c. 1635
Oil on canvas,
126 x 99 cm
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Bernardo Strozzi St Maurice and the Angel c. 1635
Oil on canvas,
82 x 101 cm
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Bernardo Strozzi Die eitle Alte Medium Oil on canvas
Dimensions 135 X 109 cm
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Bernardo Strozzi The Release of St. Peter oil on canvas painting by Bernardo Strozzi, , Art Gallery of New South Wales
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Bernardo Strozzi The Healing of Tobit Medium Oil on canvas
Dimensions Expression error: Missing operand for *158 ?? 224 cm
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Bernardo Strozzi lutspelare cirka 1635
pa duk 76x92cm
se
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Bernardo Strozzi
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1581-1644
Italian
Bernardo Strozzi Galleries
Strozzi was born in Genoa. He was probably not related to the other Strozzi family.
In 1598, at the age of 17, he joined a Capuchin monastery, a reform branch of the Franciscan order. When his father died c1608, he left the order to care for his mother, earning their living with his paintings, which were often influenced by Franciscan teachings, for example his Adoration of the Shepherds (c. 1615) . In 1625, he was charged with illegally practicing as a painter. When his mother died c1630, Bernardo was pressured in court by the Capuchin's to re-enter the order. He was briefly imprisoned in Genoa , and upon release fled to Venice to avoid confinement in a monastery in 1631. He became nicknamed all his life as il prete Genovese (the Genoa priest).
Saint Christopher, by Strozzi.Early paintings, such as The Ecstasy of St Francis show the dark emotionalism of Caravaggio. But by the second decade of the 17th century, while working in Venice, Strozzi had synthesized a personal style which fused painterly influences of the North (including Rubens and Veronese) with a monumental realistic starkness. For example, in the painting The Incredulity of Thomas, the background is muted, yet Jesus' face, haloed and his outline, misty, in a style atypical of Caravaggio. Never as dark as the Caravaggisti, Venice infused his painting with a gentler edge, a style more acceptable to the local patronage, and one derived from his precursors in Venice, Jan Lys (died 1629) and Domenico Fetti (died 1626), who had also fused the influence of Caravaggio into Venetian art. Examples of this style can be found in his Parable of the Wedding Guests (1630),Christ giving keys of Heaven to Saint Peter (1630),, Saint Lawrence distributing Alms at San Nicol?? da Tolentino[7] and a Personification of Fame (1635-6). He was also likely influenced by Velazquez (who visited Genoa in 1629-30).
After a commission to paint Claudio Monteverdi his fame grew, and his portrait paintings included many of the leading Venetians. His pupils and painter strongly influenced by him included Giovanni Andrea de Ferrari (1598-1669), Giovanni Bernardo Carbone, Valerio Castello and, Giovanni Benedetto Castiglione.
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